There's young talent, the mystique of animation, personal sacrifice, and the daring to gamble with one's career. A part time project, done in a garage, that launches a new studio. The story of BANJO is filled with the tales that Hollywood myths are made of. It was a grueling task to get it done by the deadline, but the family atmosphere of the staff helped support everyone and we all worked those extra hours and put in that extra effort to get it done and still have the desired quality." -Dorse Lanpher "I started in November of 1979, near the end.
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His garage was full of desks and people.It was an amazing accomplishment to get so many people to rally around.An amazing achievement." -Heidi Guedel "I got involved when I was working on PETE'S DRAGON at Disney because we'd all go over to Don's house on the weekends. I don't know if I have the where-for-all to do it again.It was one of the hardest projects with great physical and emotional demands ,but I'm glad I did it.But I never want to have to cook for so many people again!" -Lorna Pomeroy "It brought us all together and taught us what we were made of. From cooking to painting to playing jazz, no job was too small." -Dave Molina "It was such a fledgling company.It was great to see everyone giving their best and trying everything. If I had not been learning on BANJO on the weekends and evenings, I could never have gotten as far as I did in my career." -Vera Lanpher Later, when I was hired by Disney I found there I was totally on my own. Don, John and Gary said 'follow us,' and I began to learn. I knew nothing about animation, but I went to the garage.
Don said 'yes, if you want to stay up late nights, have no weekends and work harder.' I said 'sure!'.We know a lot more now.If someone were to ask me, today, to spend a year in a garage, I'm not sure what I'd say." -Linda Miller "I washed cels my first weekend, and then the next week graduated to paintng them!.It was a great deal of fun." -Will Finn
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On BANJO we learned camera moves, how to shoot the camera, paint cels, everything.For four years, every night after work and every weekend.And it was worth it." -Dave Spafford "It was learning all the things we couldn't learn at Disney. "Banjo was more than just a picture that eventually got sold to was an attempt to put together all the mechanics that go into making a film." -Don Bluth In celebration of its 5th anniversary, Exposure Sheet presents a retrospective of the Studio's productions. Space Ace-Making Movies Out Of Videogames.īanjo the Woodpile Cat: THE ORIGIN OF A STUDIO John Cawleyġ979-1984 On September 13, 1979, Don Bluth, John Pomeroy, and Gary Goldman started their own studio. Banjo the Woodpile Cat: The Origin of a Studio.
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